Archive for January 2019

Waves Complete v10 (2019.01.24)

January 28, 2019 Add Comment
In celebration of Waves’ 25th anniversary, we are pleased to announce a new version of Waves plugins, Waves V10. Update to V10 to future-proof your sessions, ensure continued compatibility, enjoy plugin updates and full technical support, and get new plugins added to premium bundles.

Future-Proof Your Sessions
This year at Waves, we celebrate not only 25 years of plugin innovation, but also 25 years of constant plugin updates and maintenance. We are dedicated to ensuring that the plugins you purchased 5, 10, 15 or 25 years ago remain compatible with all major DAWs and operating systems, and that the plugins you purchase today will remain compatible in the 5, 10, 15 and 25 years to come.

To achieve this, we devote great efforts and resources to constant updates, development and meticulous quality assurance of our plugins’ compatibility with operating system updates, DAW updates, and new DAWs. The Waves V10 update provides you with the last six years’ worth of such efforts, since our last major update to Waves v9. When you update to Waves V10 plugins, you also future-proof your sessions by ensuring that you will continue to enjoy ongoing updates moving forward.

Features of Waves Complete 10 v2019.01.24
When you update now to V10, you get:
– Waves plugins added free of charge to Waves bundles covered under the Waves Update Plan:
– Electric Grand 80 Piano added to the Gold, Platinum, Diamond, Horizon, Broadcast & Production, Broadcast and Surround Suite, Sound Design Suite, and Mercury bundles.
– Eddie Kramer Drum Channel added to the Gold, Platinum, Diamond, Horizon, Broadcast & Production, Broadcast and Surround Suite, and Sound Design Suite bundles.
– Access to all plugin updates since the last major update to v9
– Bug fixes and plugin improvements: see the full list on our Release Notes page.

January 24th, 2019
● New release — CLA MixHub, now available as a single plugin as well as in Mercury, Pro Show and SD7 Pro Show.
● Fixed: Possible LV1 crash when changing F6 RTA presets via LV1 scenes.
● Fixed: Pro Tools hang when bypassing GTR3 and deactivating/reactivating it.
● Fixed: Cubase/FL Studio/REAPER crash when changing Flow Motion Synth presets through the host’s preset menu.
● Fixed: SoundShifter Graphic possible crash on Pro Tools.
● Fixed: IR1 possible crash on Pro Tools.
● Fixed: Bypassing Butch Vig Vocals at 88/96 kHz introduces latency.
● Fixed: Scheps Omni Channel missing Master Bypass in the Pro Tools automation window.
● Fixed: Loading saved presets in Scheps Omni Channel will load them to both Setup A and B instead of just to A or B.
● Fixed: Scheps Omni Channel meters do not indicate values over 0db.
● Fixed: Abbey Road TG Mastering Chain meters do not indicate values over 0db.
● Fixed: Abbey Road TG Mastering Chain crash when automating ‘Change Notify’.
● Fixed: Saphira problem moving Warmth EQ band 2 via the graph.
● Various other fixes and stability improvements.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Vir2 MOJO 2: Horn Section v1.0.3 (KONTAKT)

January 24, 2019 1 Comment
We are proud to present MOJO 2: Horn Section, our biggest and most advanced instrument to date! After the release of the hugely successful MOJO: Horn Section, we knew its sequel had to build upon the already advanced sampling and playability of the first volume. We went back to the drawing board, fully redesigned the instrument, and recorded all brand new samples. MOJO 2 delivers the most flexible and innovative approach to Pop, Funk, Jazz, and Big Band horns ever created in a virtual instrument with an incredibly simple but feature-packed interface. After years of development by an amazingly talented team, we’re proud to release the premier horn section of the decade.

CRAFT THE PERFECT HORN SECTION
We recorded 13 different brass and reed instruments for MOJO 2 to fulfill any horn need you’ll encounter. Each horn comes with 13 different articulations including Sustains, Staccato, Stabs, Bend Down, Octave Run Down & Up, Doits, Rise To Hit, Shakes, Trills, Swells, Crescendos, and Falls, as well as up to four velocity layers and three round robins.


TRUE LEGATO
With Legato Mode you can play the most realistic melodies possible. We meticulously recorded the transition period between each and every note, allowing you to play beautiful horn lines that sound truly lifelike.

A FULL HORN ENSEMBLE
MOJO 2 lets you instantly adjust from 1 to 10 players per instrument to add extra depth and power to your performance. Further parameters give you control over the humanization and stereo spread of the ensemble.

CUSTOMIZE YOUR SOUND
Blend the three available mic positions (close, near, and room) to get the perfect mix. Utilize keynoise overlay to introduce the sound of the musician’s interaction with the instrument, and tailor the horns with an extensive FX suite.

MUSIC THROUGH THE AGES
There are four unique Era modes which act as time machines, effortlessly transporting all thirteen included horns from one iconic era to the next. Era settings include: Modern, Retro (60’s-70’s), Vintage 1 (40’s-50’s), and Vintage 2 (20’s-30’s).

PERFORMANCE PAGE
The Performance page offers both global and articulation-specific controls. Dive into the customization of how the horn parts are played and how the sound is shaped with powerful controls over volume, release length, legato, sustain vibrato (real and simulated), pitch bend range, keynoise, round robins, and more.

MIXER PAGE
The Mixer page includes controls for all three mic positions: close, near, and room, as well as a full mix option (a pre-mix of all three mic positions for an easier memory load). Also, control your ensemble settings here with options from 1 to 10 players for a fuller sound.

EFFECTS PAGE
All the included effects have been specifically curated for MOJO 2 to ensure you get the best possible results. Control the EQ, Cabinet, Saturation, Tape Saturator, Compressor, Limiter, Delay, and Reverb, each with their own specific parameters and presets.

KEY MAPPING PAGE
Customize the keyboard layout and change how and where the different articulations and release samples are triggered. It has never been easier for an instrument to integrate with your workflow!

MOJO 2: HORN SECTION SUMMARY
Product Features:
– 13 brass & reed instruments: Alto Sax, Baritone Sax, Tenor Sax, Soprano Sax, Clarinet, Flugelhorn, French Horn, Trombone, Bass Trombone, Muted Trombone, Trumpet, Piccolo Trumpet, and Muted Trumpet
– 13 articulations per instrument: Sustains, Staccato, Stabs, Bend Down, Octave Run Down & Up, Doits, Rise To Hit, Shakes, Trills, Swells, Crescendos, and Falls
– Four Era presets for retro, vintage, and modern sounds
– 3 separate mic positions: close, near, and room
– Additional Full Mix – a processed stereo mix of the 3 mic positions for an easier memory load
– Recorded with True Legato for the most realistic performances possible
– Ensemble settings for 1 to 10 players per instrument
– Up to 4 velocity layers and 3 round robins
– Dozens of presets for creative starting points
– 9 powerful effects for further customization
– Unique and intuitive GUI
– Full Komplete Kontrol & Maschine integration

System Requirements:
– 128GB of free disk space to install and 64GB once installed
– Kontakt 5 Player or Kontakt 5 (version 5.8.1 or higher)
– 8GB RAM or more (16GB+ recommended)
– MAC: OSX 10.11 or higher / Intel Core i5 or later
– WINDOWS: OS 7 or higher / 32 or 64 bit compatible / Intel Core i5 or equivalent CPU
 
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Audio Assault - Emperor v1.2 (Jan 2019)

January 24, 2019 2 Comments
Emperor is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin! ​
Emperor is inspired by a proprietary blend of modern metal legends, with a brightness and chunk that can cut through the heaviest mixes.
Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Emperor makes it easy to craft the perfect tone quickly

Emperor uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control. ​

Amp Section
The heart and soul of Emperor is a two channel high gain monster! Emperor defaults to Channel 1, which features parameters for Gain, Bass, Mid, and Treble. Channel 2 features parameters for Gain, Bass, Mid, Treble, and Presence.

Both channels clean up quite well at low gain settings, but neither will go fully clean. This allows for a versatile palate of tones, from crunchy rhythm to djent. If you want lush clean tones, Emperor isn’t for you.
Included “ON” switch allows you to bypass the Emperor amp head, allowing you to just use the Stomp or Cab sections if desired.

Each parameter in the Amp section can be automated, allowing for customization and flexibility! ​
Stomp Section
he Stomp section features 5 pedal slots, allowing you to choose between any combination of Emperor’s 10 included guitar pedals.
Optional FX Loop allows you to place any pedal in the effects loop of Emperor’s amp head, allowing the pedal to process the output signal of Emperor instead of the input signal. Each pedal in the Stomp section can be automated, allowing for customization and flexibility!

Emperor Update:
Recompiled for both windows & mac with latest libraries.
Reverb issues fixed.
GFX Glitch fixed.
IR not found error fixed
RTAS has been dropped.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Audio Assault - Dominator v1.3 (Jan 2019)

January 24, 2019 2 Comments
Dominator is part of our amplifier series,
each of which brings a full guitar rig into one easy to use plugin!

Dominator delivers a range of tones inspired by a legendary high gain amp that is praised by guitarists of many genres!

Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Dominator makes it easy to craft the perfect tone quickly!

Dominator uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control. ​

The heart and soul of Dominator is a two channel high gain monster!
Dominator defaults to Channel B, which features parameters for Gain, Bass, Mid, Treble, and Presence.

Channel A is engaged using the “CH.B” button on the left. When the “CH.B” is dark, Channel A is active. When “CH.B” is lit up, Channel B is active. Channel A features parameters for Gain, Bass, Mid, and Treble. Channel A’s Gain control can be used to switch between clean and distorted tones. Turning Channel A’s Gain below a value of 2 engages the Clean circuit. Turning Channel A’s Gain above a value of 2 engages the Distortion circuit. Included “ON” switch allows you to bypass the Dominator amp head, allowing you to just use the Stomp or Cab sections if desired.
Each parameter in the Amp section can be automated, allowing for customization and flexibility! ​

Dominator Update:
Recompiled for both windows & mac with latest libraries.
Reverb issues fixed.
GFX Glitch fixed.
IR not found error fixed
RTAS has been dropped.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Voxengo - Voxformer v2.12 (Jan 2019)

January 24, 2019 Add Comment
Voxformer is a multi-functional vocal channel strip AAX, AudioUnit and VST plugin for professional streaming, sound and music applications. Combining several professional quality processing modules, Voxformer was designed to be a comprehensive solution for all your vocal processing needs – be it spoken or sung vocals.

The coolest feature of Voxformer is its one-knob vocal compressor. Using only a single knob, you can get a tight, open and definitive professional vocal sound with an excellent articulation instantly. You do not have to worry about common ratio and make-up gain controls since they are automatically selected by the advanced compression algorithm while the attack and release parameters are stored in a mode preset. Moreover, Voxformer features two compressors of this type, allowing you to apply either a two-band or a two-stage (serial) vocal compression.

Voxformer also features the de-esser with selectable center frequency and threshold. Multi-band noise gate is available, which, in a manner similar to the compressor, was designed to bring ease of tuning while providing excellent sonic results. For those who like a saturated vocal sound, Voxformer implements a special module which applies a smooth saturation. Another useful feature Voxformer has to offer is the presence boosting module, which you can use to add some shine and space to the vocals.

As a finishing touch, Voxformer offers you a flexible easy-handling 5-band parametric equalizer (pre/post selectable) with a real-time output stage fast Fourier transform (FFT) spectrum analyzer display. In most cases Voxformer can be used for processing of a wide range of instruments beside vocals.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Plugin Alliance - Schoeps Mono Upmix (Jan 2019)

January 24, 2019 Add Comment
The Schoeps Mono Upmix Plugin improves the sound color and spatial quality of a Mono signal. This is achieved because it extracts diffuse sound in the Mono recording and puts it decorrelated on L/R.Furthermore, it can add depth to the source.

The Mono Upmix Plugins can improve the flexibility when working with Mono sources in a mix. A more natural perception of the source can increase the maximum gain before the spot microphone gets audible.

Manipulation of source direction, width and depth
Manipulation of diffuse field level
Better sonic and…
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [64-bit]

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LTL - Chop Shop EQ (Jan 2019)

January 21, 2019 Add Comment
Chop Shop is a faithful digital recreation of our 500 Series analog EQ. The plugin not only accurately reproduces the pristine sound of the original but also offers extra features that extend the functionality of this already versatile tone shaping tool. Chop Shop sports an intuitive interface that allows users of all skill levels to quickly address tonal issues in their audio and enhance the original character of sounds in a musical and transparent way.

Whether you are cleaning up multiple takes from a hectic session or looking for a way to make your kick and bass stand out in the mix, Chop Shop has got your back. With the ability to quickly enhance the clarity or low end punch of any sound Chop Shop’s simple feature set belies it’s underlying power. Chop Shop is the perfect tool to use across entire sessions. CPU effiency coupled with musical transparenty make Chop Shop ideal for elimininating masking and enhancing intelligibility.

FOCUS:
Intuitive filter that focuses the energy in a source on the bass or treble ranges of the sound. Apparent loudness of source is maintained constant for meaningful A/B comparisons. SHIFT switch decreases turnover frequency for a different midrange response.

LO-CUT:
12 dB/oct filter that rolls off low frequencies, variable 20 to 530 Hz. Jumper selectable ‘Lo-Rider’ mode transforms LO-CUT section into a low-frequency hi-cut section with variable resonance (hint: try this on a front of kick or Subkick mic and blend back in for incredibly deep and massive low end).

BUMP:
Variable resonance control for LO-CUT that adds a resonant ‘bump’ at the corner frequency. Response from Bessel (full CCW), to Butterworth (12 noon), to slightly resonant (0.5 dB full CW). MORE switch increases resonance dramatically… sometimes MORE is more.

LO-RIDER:
Transforms entire LO-CUT section into a low-frequency centered low pass filter with variable resonance. The LED icon will change accordingly. The frequency knob now sets cut-off frequency above which audio will be rolled off. Blend with the non-low passed signal via the MIX fader for massive sounding low end. This can be very useful on kick drums and bass sounds. This was a hidden feature on the hardware.

HI-CUT:
6 dB/oct filter that rolls off high frequencies, variable 500 Hz to 25 kHz. 0.5X switch shifts frequency range one octave lower, while simultaneously increasing slope to 12 dB/oct and adding slight resonance at corner frequency to retain apparent brightness. This resonance can be switched off if needed.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Apple - Final Cut Pro X v10.4.5 (Jan 2019)

January 18, 2019 Add Comment
At the heart of Final Cut Pro X is a flexible timeline Magnetic Timeline, a new approach to video editing without the tracks with the ability to add and organize videos as convenient to the author, while the other clips immediately disappear from the screen. The author can use the Clip Connections for pasting clips from other key elements such as titles and sound effects, while maintaining perfect synchronization of all elements regardless of their movement.
 
Features of Final Cut Pro X v10.4.5
Revolutionary Video Editing
• Assemble clips in the Magnetic Timeline without clip collisions or sync problems
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip.
• Perfect your pacing right in the timeline with the Inline Precision Editor
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multi-camera projects with automatic sync and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords on the fly as you select ranges in clips
• Smart Collections let you dynamically organize content and find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Preview effects to see how they look with your footage before applying them
• Change the look of titles, transitions, and effects using intuitive controls
• Control effects with precision using a keyframe editor that appears directly in the timeline
• Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support

Integrated Audio Editing
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
• Sync DSLR video with separate audio in a single step, with instant audio waveform matching

Intuitive Color Grading
• Improve the look of any clip with the single-click Balance Color feature
• Apply the Match Color feature to match the looks of two clips shot under different conditions
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune color for a specific color range or area of the screen using keying and masks

One-Step, Optimized Output
• Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
• Use themed menus to quickly author and burn a DVD or Blu-ray disc
• Export customized audio stems and multiple versions of a finished video using Roles metadata
• Import and export XML to support third-party workflows

Version 10.4.5:
•Improves performance when generating waveforms for clips with no audio channels
•Improves stability when sending a project to Compressor using the keyboard shortcut Shift-Command-E
•Improves stability when pasting Arabic or Hebrew text into a title
•Improves stability when switching tabs in the Timeline Index
 
System Requirements
Minimum Mac OS 10.13.6
 
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Thenatan - TRAX v1.0 (Jan 2019)

January 17, 2019 Add Comment
Thenatan presents music makers across the globe with one of our first VST plug-ins In 2019 that we like to call "TRAX".

This VST is jam packed with over an array of 400 hard hitting drums that will spark creative inspiration time and time again.
With all genres kept in mind this drum plug-in can be used for a variety of styles of music from modern trap, to edm, soul and much more.

We've included some parameters that can help you define your sound with individual volume levels and panning for each drum sound.

We have also included some essential effects for the overall drum kit you select which range from an analog style reverb, filter, vinyl effect, adsr envelopes, and more.

Take your beats to the next level:
  • 50 Brand new pre-mixed quality drum kits that cover the entire spectrum of Trap.
  • 400 + dope drum samples, already EQ'ed and treated for instant use.
  • 16 Stereo Output for All 8 channels.
  • Includes a built in analogue style reverb.
  • Includes a built in analogue style Distortion.
  • Attack & Release for Drum dynamics.
  • Mixer.
  • Hiss / Noise / Crackle / Vinyl And Cassette Effects For A Realistic Sound Design.
  • Ultra low CPU usage [perfect if you own a laptop / low spec PC/MAC].
  • Ultra fast patch loading.
  • Monthly Expansions With Brand New Gui's That Matches The Feel Of The Kits.
  • Compatible With All Major DAW's Such As Ableton, Fl, Cubase, Reaper And ETC.
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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PreSonus - Studio One Pro 4.1.2.50657 (Jan 2019)

January 17, 2019 Add Comment
Instantly familiar – yet nothing feels like it. Studio One 3 contains everything you’d expect from a modern digital audio powerhouse. Once you touch its fast, flow-oriented, drag-and-drop interface, you’ll realize Studio One 3 was built by creative people for creative music production.

At every step of the musical process, you’ll spend your time creating music instead of fighting a bloated interface. And the sound quality? Well, simply put, it’s unparalleled. In fact, the most common comments from musicians, producers and engineers who have switched to Studio One are “I can just get things done faster” and “Studio One just sounds better.” Let’s find out why.
Start your engines.

The Start page is your home base, where you access recent Songs and Projects or start new ones, adjust hardware settings, check in on your online progress, stay in touch with the latest Studio One news, and develop new skills through demos and tutorials.

Bringing it all together.
The Song page is where the magic happens. Everything you need is dynamically laid when and where you need it, without juggling multiple windows. Here you’ll find your Arrange view, video track, track Inspectors, edit view, mix view, and browser.

Drag-and-Drop: intuitive, fast, convenient.
Creating backing tracks that automatically sync to your song tempo, enriching an arrangement, loading an Instrument, effect or sample content, and more are easy with Studio One’s updated browser, which offers keyword-based musical search, plug-in thumbnails, and nearly 10,000 audio and music loops in the Professional version. Plus, the browser links to the PreSonus online marketplace and to Exchange for access to more add ons, and content from other Studio One users.

Build arrangements—fast.
Studio One Professional’s new Arranger Track provides rapid and intuitive song rearranging—even with large projects. Just drag sections to a different place in the Arranger Track or Track Inspector, and the entire arrangement updates instantly.

Scratch Pads—the freedom to experiment.
Working hand-in-hand with the Arranger Track, the new Scratch Pads are an innovation so simple, yet so powerful, you’ll wonder why it took years to invent them. Scratch Pads provide a powerful and easy way to experiment with different arrangements or versions of a section, without jeopardizing your existing work and hassling with saving copies and countless undos. Simply drag sections, content, and events into the Scratch Pad, experiment away, and drag it back when you’re done. And you get unlimited Scratch Pads that can all be saved inside your Studio One Song file.

No limits on creativity—or sound quality.
Studio One places no limits on your creativity. You have unlimited Audio and Instrument Tracks, virtual instruments, buses, FX channels, and undo/redo. And with Studio One Professional’s 64-bit audio processing, you don’t have to worry about your mix degrading when you work with large projects and mix in the box.

Get truly inspiring and unique sounds.
Speaking of sound quality… in addition to 64-bit processing precision, Studio One version 3 features a new synthesis engine and two inspiring new instruments: the Mai Tai polyphonic analog modeling synth and the Presence XT sampler. With Studio One Professional, Presence XT includes a 14 GB sound library and the ability to open EXS, Giga, and Kontakt libraries.

Leave your sonic fingerprint.
Modern music has largely degraded to a flatland of repetitive presets. Turn on the radio, or listen to commercials, and we’re sure you can identify the sounds. Studio One version 3 changes all that and gives you tools to craft your own unique voice, including Multi Instrument, Extended FX Chains, and Note FX.

Capture the flow.
Capturing tracks in Studio One is fast and easy. Pre-record mode ensures you don’t miss a beat. When multitrack recording, you can add and arm tracks with sequential I/O assignments, route multiple MIDI devices to multiple instruments simultaneously, and give each performer their own click settings with a separate cue mix. To capture difficult parts, use Studio One’s Step Record mode or build your track by loop recording to individual track layers.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Flux - Full Pack 2.2 v3.7.0.47883 (Jan 2019)

January 17, 2019 Add Comment
Full Pack Recording, Mixing, Remixing, Mastering - The complete range of Flux:: plug-ins in one big bundle. Alchemist v3 aiming at professional mastering and re-mastering applications, the intricate design of Alchemist suggests a superior workflow and sound perfection within the field of dynamics processing, well adapted for the high demands of today's pro-audio industry.

​Alchemist presents the option to operate as a single broadband processor as well as a multiband processor providing up to five individual bands, with the possibility to process up to eight channels simultaneously when inserted on a multi-channel (surround) bus.

Each of the five band-sections provides
- Flux:: core dynamics processors; Compressor, De-Compressor, Expander and De-Expander, all operating in parallel, as well as our exquisite BitterSweet transient processor.
- MS (mid/side) control.
- Auto Delay (Introduces a delay line in the processed signal allowing zero attack time).
- Selectable level detection mode and dynamics detection profile
- Dynamics processing envelope control (Attack, Hold, Release with optional Auto mode).
- Input / Output gain control.

Epure v3 a five-band state of the art equalizer using one of our most complex proprietary algorithms, ensuring the most superior quality achievable in digital equalizing processing.

Each section provides
- Individual bypass
- Filter type that can be set to low cut, low shelving, peak, hi shelving or hi cut
- Gain control with the range -24 dB to +24 dB
- Frequency range covering the whole bandwidth
- Q factor adjustable from 0.1 to 100

Solera v3 primarily designed for mastering and re-mastering applications, though heavily used as a regular dynamics processor with it's superior sonic quality and distortion free operation in many professional studios all over the world.

Four dynamic sections work in parallel, compressor, de-compressor, expander and de-expander. Three release modes (manual, auto, and advanced) are available. In advanced mode the minimum and maximum release values are user adjustable. An Auto Delay function allows zero attack times by introducing a delay line in the processed signal and the side chain features a three-band equalizer to generate frequency sensitive processing.

Syrah v3 a new generation dynamics processor, which handles the dynamics in a way that allows you to be creative, without a complicated user interface. Utilizing real time dynamic detection and level dependent processing, providing adaptive dynamic capabilities, which mean that Syrah is always trying to adapt to the music and to the beat of the material.

Using parts of our exquisite BitterSweet technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah will be well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.

Elixir v3 - The Premier Real True Peak Multichannel Limiter Plug-in

Elixir is a novel kind of program limiter carefully designed to accomplish a truly pure natural sounding result without altering the nature of the audio material and its timbre.

Intended to fulfil the requirements of the broadcast, post-production and mastering industry, Elixir provides real True Peak output level in accordance with the ITU-R.BS 1770 and EBU R128 norms, and for surround/multichannel operation Elixir provides up to eight channels of simultaneous processing.

Pure Series is the very core of the Flux:: dynamics derived from our flagship Solera II and provided as five single plug-ins for maximum versatility with a classic "one tool for each task" approach to slim the workflow without compromising quality or function.

Pure Compressor v3 produces a wide range of compressions from ultra clean subtle compressions to classic heavy pumping ones. It's up to your artistic choices not to the technology limitations.



Pure DCompressor v3 allows you to restore the original dynamic of a sound. The DCompressor is superior for heavily compressed signal adding some of that natural feeling to the sound.

Pure Expander v3 produces a wide range of expansion process from subtle expansions to hard noise-gate.
 Using Flux:: proprietary Angel's Share and Hysteresis algorithms Pure Expander allows you to remove unwanted noises or reverberation without adding a processed character to your sound.

Pure DExpander v3 enhances the low levels of the sound, magnifies the spatialization information and is also very useful when you want a compact expander sound. The Angel's Share algorithm permits some heavy processing though still keeping an organic character with the sound

Pure Limiter v3 is using exquisite proprietary Flux:: algorithms generating a release-envelope producing no artifacts on the processed sound achieving a transparent limiting. A dramatic increase of the average audio level is easily achieved without damaging the perceived audio quality of the material.
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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KV331 - Audio SynthMaster v2.9.8 CE (Jan 2019)

January 17, 2019 Add Comment
SynthMaster is an ‘all-around’ semi-modular software synthesizer and effect plug-in that features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis. With its multi-algorithm oscillators, analog modelled zero delay feedback filters, flexible effects routing with 11 types of high quality effects and a massive modulation architecture with 95 separate modulation sources and 650+ modulation targets; SynthMaster is a ‘must-have’ for all synthesizer enthusiasts! 

Features of KV331 Audio SynthMaster v2.9.8
● Cross-platform VST, AU and AAX: SynthMaster runs as a VST, AAX instrument on both Windows and Mac OSX, and also as an Audio Unit instrument on Mac OSX.
● 1800 Factory Presets: SynthMaster comes with 1800 factory presets from a world class team of sound designers: Arksun, Aelyx Design, Aiyn Zahev, Bluffmunkey, BigTone, Fragment Audio, Kevin Schroeder, Frank ‘Xenox’ Neumann, Gercek Dorman, Michael Kastrup, Nori Ubukata, Rob Lee, Umit ‘Insigna’ Uy, Ufuk Kevser, Teoman Pasinlioglu, Vandalism, Vorpal Sound and Brian ‘Xenos’ Lee.
● Semi-Modular Architecture: For each SynthMaster instance, there are 2 layers followed by 2 global effect send busses. Each layer has its own: Arpeggiator, 2 Oscillators, 4 Modulators, 2 Filters, 4 ADSR Envelopes, 2 Multistage Envelopes, 2 2D Envelopes, 2 LFOs and 4 Keyscalers. The modulators can modulate frequency, phase, amplitude or pulse width of the oscillators or any other modulators at audio rate, or they can be used as regular oscillators.
● Massive Modulation Architecture: SynthMaster has more than 650 modulation targets and 95 modulation sources including ADSR Envelopes, 2D Envelopes, Multistage Envelopes, LFOs, KeyScalers, Easy Parameters, Vocoder Bands, MIDI Velocity, Aftertouch, Pitch Bend and MIDI CC. The modulation matrix, which has 64 available slots, has visual filtering as well so that targets for a specific source, or sources for a specific target can be filtered and shown on the user interface.
● Easy Parameters: SynthMaster features 8 easy knobs and 2 XY pads that can be freely assigned as modulation sources, so that the complexity of the synth engine could be hidden away and only most important parameters of a preset can be controlled by the user. The easy parameters can be globally linked to MIDI controllers, and they can be assigned automatically by SynthMaster as well.
● Powerful Arpeggiator: The arpeggiator in SynthMaster features classic arpeggiator modes such as Up, Down, UpDown, DownUp, UpDown2, DownUp2, AsPlayed as well as Sequence, Chord and Arpeggiate modes. Each of the 32 steps of the arpeggiator has its own Velocity, Note Number, Note Length, Slide and Hold parameters.
● Basic Oscillators: ‘Basic’ oscillators in SynthMaster are capable of synthesizing many different types of waveforms: Sine, Square, Triangle, Sawtooth, Pulse, Noise, single cycle waveforms and multisampled WAV/AIFFs defined in SFZ files. Each oscillator comes with 17 different algorithms in the following categories: Spectral (LP, HP, LS, HS, BP, BS), Bend (Bend+, Bend-, Bend+/-), Sync (Rect Window, Half Cos Window, Cos Window, Tri Window, Saw Window), Pulse (Pulse1, Pulse2) and Quantize.
● Additive Oscillators: An ‘Additive’ oscillator is actualy 8 ‘basic’ oscillators running together. Each ‘basic’ oscillator has its own detune, tone, phase/pulse width/algorithm parameter, frequency, waveform type and algorithm parameters.
● Vector Oscillators: A ‘Vector’ oscillator consists of 4 ‘basic’ oscillators, mixed at different ratios. The mix ratios are determined by 2 orthogonal parameters in 2 dimensions: ‘X Index’ and ‘Y index’.
● Wavetable Oscillators: A ‘Wavetable’ oscillator is similar to basic oscillator, except that the waveform can be scanned (interpolated) through up to 256 different waveforms shapes. The position of the waveform can be adjusted using the ‘wave index’ parameter. Starting with version 2.9, SynthMaster now supports loading wavetables from wave files!
● Stereo Oscillators with Unison/Voice Stacking: Oscillators in SynthMaster have stereo output. Using the “voices”, “voices mix”, “detune curve”, “detune spread”, “pan stread”, “tone spread” and “phase spread” parameters, each basic/wavetable oscillator can generate a rich “supersaw” type sound.
● Zero Delay Feedback Filters: All of the 4 new filter categories in SynthMaster are developed using the zero delay feedback filter technology. With advanced filter parameters like input gain, drive and acid, you can get that “analog” sound from the filters!
● VAnalog Filters: The ‘VAnalog’ filters are modelled after the famous ladder filter, so they self oscillate when the filter resonance is maxed out. They have continuosly variable slope, which is unique to SynthMaster. They have 3 different CPU settings: “Basic”, “Normal” and “High”. The Basic setting sounds similar to the other algorithms in most cases and consumes at least 50% less CPU.
● Multimode Filters: With the new ‘multimode’ filter type, it is possible to switch from Lowpass to Bandpass to Highpass filter types continuously. For analog multimode filters, it is also possible to change the slope of the filter continously from 0 db/oct to 24 db/oct.
● Dual Filters: With the new ‘dual’ filter type, two multimode filters can be run simultaneously, either in parallel, or in series. The mix ratios between the filters, and the topology (parallel/series) between them can be changed continuosly, as well as the modes and cutoff frequencies of the filters.
● Comb Filters: Comb filters are digital filters used in physical modeling synthesis.
Before/Inside/After Filter Distortion: A distortion stage can be inserted before, after, or even inside the filters. For analog filters, the distortion is applied for each of the 4 filter stages in ‘inside’ mode.
● Rich Set of Effects: SynthMaster features 11 different effect types: Distortion, LoFi, Ensemble, Phaser, 6 Band EQ, Compressor, Vocoder, Delay, Chorus, Tremolo, Reverb.
● Flexible Effects Routing: Each of the 11 effect types can be inserted on any layer insert or on any of the 2 global effect bus inserts.
● Microtuning: SynthMaster supports Scala tuning, so tuning can be set either for each preset or globally by loading from a Scala tuning file.
● Preset Browser: SynthMaster features a comprehensive preset browser with separate search criterias for instrument type, preset attributes, music style or preset author.
● Online Preset Browser: Registered users can upload their presets to the online preset library, or browse and download presets created by other registered users; using the preset browser right inside the plug-in window.
● Multiple Skins: SynthMaster comes with 3 different skins in different color variations. Using the included user interface editor, users can not only customize the existing skins but also can create their own custom interfaces as well.
● Importing MIDI patterns as Arpeggiator Sequence: Monophonic or even polyphonic (chord) MIDI patterns can be imported into the arpeggiators in SynthMaster by just drag and drop of the MIDI file onto the arpeggiator view on the plugin window.
● Importing WAV/AIFF Multisamples as SFZ definitions: Multisamples in WAV/AIFF formats could be imported into SynthMaster as SFZ definitions, by simply drag and drop of the WAV/AIFF files onto the oscillator waveform view on the plugin window.

Changelog for this release:
● NEW: Added 50 new cinematic presets by Kevin Schroeder
● NEW: Added a White Skin by Satyatunes
● NEW: Preset browser filters are now single select, with the first default option “(All)” added
● NEW: Updated Satyatunes’ Tranquil Blue Skin
● FIX: Global LFO retrigger doesn’t work correctly
● FIX: When importing samples, the loop point is not imported
● FIX: Presets are not loaded correctly in AAX version of SynthMaster
● FIX: Wavetables in 3D view take too much time to draw
● FIX: Expansion presets marked as favourites don’t show up in favourites list
● FIX: On MacOS, skin folders are not sorted
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Native Instruments - Hybrid Keys v1.1.1 (KONTAKT)

January 17, 2019 Add Comment
HYBRID KEYS

A modern, creative and completely new version of keyboards and piano sounds. HYBRID KEYS is moving away from conventional sampling processes to focus on innovative methods such as re-amplification, creative placement of microphones in interesting spaces and experiments on changing the speed of the tape.

System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
For Kontakt 6 and up
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Native Instruments - Ethereal Earth v1.1.1 (KONTAKT)

January 17, 2019 Add Comment
ETHEREAL EARTH

Hybrid organic/electronic instrument that takes myriad acoustic instruments from around the world, and combines it with digital synthesis, organic foley layers, and effects processing. The result fuses traditional and digital, with basses, strings (bowed and plucked), wind instruments, tuned percussion, bells/metals, pads/drones, leads, and textural ambiences.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
For Kontakt 6 and up

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Celemony - Melodyne Studio 4 v4.2.1.003 (Jan 2019)

January 17, 2019 Add Comment
Melodyne 4 studio offers you all Melodyne functions for both correction and creative applications on an unlimited number of tracks. You can edit the sound and musical content of your recordings in such an intuitive manner or make such far-reaching changes with no other audio tool.

Melodyne lets you work with audio in an entirely new way. One that is musical, nifty, crystal-clear and almost magical. Working with Melodyne is like being able to say to a singer “hold this note a bit longer” or to a pianist “give slightly less weight to the third in this chord” – hours, weeks, even years after the recording session.

The fantastic editing possibilities, the outstanding sound quality and the intuitive and musical operation make Melodyne an incomparable tool without which it would be hard to imagine modern music production.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Toontrack - EZmix 2 v2.1.4 + Expansion Bundle (Jan 2019)

January 17, 2019 Add Comment
Following the success of Toontrack’s EZmix, the new and completely overhauled EZmix 2 continues to build on the same fundamental idea: having pro-designed effect chains for instruments and channels found in every recording session combined in one powerful mixing tool. With the vast collection of ready-made presets, mixing music is not only easy and incredibly fast – you end up with results second to none.

All the previous functionality and content from EZmix is still intact and working in EZmix 2. The major difference however, is that the new and revamped version comes with settings based on high-tech mastering effects, new reverb algorithms, guitar/bass amp and cab simulation, a completely revised interface and a large core content boost. Essentially, EZmix 2 is a mixing engineer, mastering suite and guitar/bass amp all rolled up into one package. Start mixing, its EZ!

Features of Toontrack EZmix 2 v2.1.4
Bug fixes in version 2.1.4:
– The internal AU name has been changed back from “EZdrummer 2” to “EZdrummer”, which it was in 2.1.1 and earlier, to restore save file compatibility in some hosts.
– In Drumkit from Hell, if a sound from another expansion was loaded on an instrument, clicking on that instrument could lead to a crash in some cases.
– Clicking the tempo button under the song track in Toontrack solo could lead to a crash.
– If the User MIDI folder could not be accessed or created, the plug-in crashed when instantiated.
– Dragging across articulation lists in Edit Play Style did not preview any sound.
– Dragging from the Browser had wrong y coordinate.
– The red translucent block that marks the current recording sometimes became too long when a loop endpoint was reached, and it no longer overlaps itself in a loop.
– The following is now disabled while recording: moving the playhead or loop area, Undo/Redo, song track context menus, loop toggling and a few more things.
– Up/down arrow keys in the Browser should work in more hosts on Mac now.
 System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Apple - Logic Pro X 10.4.4

January 11, 2019 Add Comment
Logic Pro X is the most advanced version of Logic ever. Sophisticated tools for professional songwriting, editing, and mixing are built around a modern interface that’s designed to get creative results quickly and also deliver more power whenever it’s needed. Logic Pro X includes a massive collection of instruments, effects, and loops, providing a complete toolkit to create amazing-sounding music.

Logic Pro X for Mac has been updated to version 10.3, introducing new features, a refreshed interface, and Touch Bar support, allowing the Touch Bar on the 2016 MacBook Pro to be used for music editing. The Touch Bar features quick access to navigation tools and Smart Controls, plus it can be used for playing and recording instruments using a piano keyboard or drum pads.

A new Track Alternatives feature lets users create and switch between different playlists of regions and edits, and Selection-based Processing lets users apply Logic or third-party plug-ins onto one or more audio region.

With iOS integration, Logic Pro X users can also add new tracks to Logic sessions from their iPhone or their iPad when away from their Mac, and a new share option lets users upload GarageBand-compatible versions of Logic projects to iCloud that can be opened on iOS devices. New recordings can be added via GarageBand on an iOS device and then synced back to Logic Pro X when the project is opened on a Mac.

New in Logic Pro X 10.4.4
  • Fixes an issue in which Logic Pro was not creating Auto Backups correctly.
  • Includes stability improvements.

System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra  | High Sierra I Mojave

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