Drum MIDI Packs Bundle Complete - Toontrack

Drum Midi packs for Ezdrummer and Superior Drummer.

MIDI PACKS:

• Superior Libraries
• NY Avatar
• NY Allaire
• The Metal Foundry
• Custom Vintage
• Music City USA
• ADD On Packs
• Monster Midi Packs 1 & 2
• Monster Midi Fills Packs 1 & 2
• Library Of The Extreme 1,2 & 3
• Songwriters Pack 1,2 & 3
• Songwriters FillPack
• Rock Songs
• Ballads
• Blues
• Roots
• Session Drums
• The Rock Warehouse
• EzPlayer Pro Midi
• EZDrummer Libraries
• Pop Rock
• Modern Vintage
• Percussion
• EZX Libraries
• Cocktail
• Drumkit From Hell / Guest
• Vintage Rock
• Latin Percussion
• Nashville
• Claustrophobic
• Twisted Kit
• Funk Master
• Jazz
• Electronic
• MetalHeads
• The Clasicc
• Number 1 Hits
• Americana
• Metal Machine
• Pop
• Rock Solid
• The Bluest
• Indie Folk
• Rock
• Metal
• Reggae
• Made of Metal
• Black Metal
• etc
  

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Drum MIDI Packs Bundle Complete

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Steinberg - WaveLab Elements v9.0.35

WaveLab Elements is an audio editing and mastering software, perfectly tailored to hobby musicians, radio freelancers and home studio owners. Based on the approved WaveLab Pro mastering solution, the WaveLab Elements highlights proven editing and analysis tools, a valuable selection of restoration and mastering plug-ins, a CD burning engine and much more — all accessible through an intuitive user interface.

New features in WaveLab Elements 9

• Revolutionary new user interface allowing for an incomparably fast and convenient workflow
• MasterRig plug-in suite including 5 plug-in modules: EQ, Compressor, Limiter, Saturator and Imager
• Innovative windows docking system that allows for a flexible and easy window handling
• New, redesigned master section with up to 5 effect slots
• High-quality SoX-based Resampler for resampled playback and rendering
• Automatic error correction tools for removing unwanted noise
• Direct exchange of audio files with Cubase and Nuendo*
• Extended file compatibility including AAC and MP3 read and write support
• Improved plug-in search function
• New startup dialog

Master Section
The Master Section provides a perfect overview on the main level of the audio material. It also comes with global mastering effects and includes 12 plug-in instances allowing for the creation of your individual mastering chain, full M/S support for each plug-in, a resampler and extensive monitoring options. The Master Section also provides separate slots for applying dithering and for checking the file format quality with WaveLab’s Encoder Checker. Last but not least, WaveLab provides speaker management for monitoring several loudspeaker setups.

Organizing your project
WaveLab includes a project concept based on File Groups. This allows you to individually group a bunch of single audio files and the resulting Audio Montage (into which the single files are composed) in one framework — the File Group. This also works for batch processing files.

Project Manager
Large projects often result in complex structures that need to be managed coherently and clearly. WaveLab Pro 9 helps you to keep track of your audio files and audio montages with the Project Manager. The Project Manager provides a tree structure view that lets you instantly see which files belong to which file group, how they are named and if they have been modified. You can even drag and drop files from the Project Manager into an Audio Montage or open a new Audio Editor.

Docking system
One of WaveLab’s biggest assets has always been its customizability, as the layout is an important factor when working with software on a daily basis. WaveLab comes with a docking system that offers a flexible and easy window handling and lets you arrange windows to your individual needs.

WaveLab Control
For even more convenience, the WaveLab Control section lets you group a freely selectable range of analysis tools in a dedicated space. This way, you can perfectly organize WaveLab’s excellent analyzing tools such as spectroscope, VU metering, spectrum metering and more. Individual combinations of analyzing tools can be saved and recalled at any time.

System requirements

• Windows 7/ 8.x/ 10
• Intel or AMD dual core CPU
• 4 GB RAM
• 4 GB free HD space
• 1024 x 768 display resolution
• USB port for USB-eLicenser (license management)
• OS compatible audio hardware
• DVD-ROM dual-layer drive
• Internet connection required for activation, account setup and personal / product registration.
• Additional downloads may be required for the installation.

Install in a strict sequence:

0. (if not installed) http://download.elicenser.net/downloads/eLicenserControlSetup.exe

1. Steinberg.Content.eLicense.exe

2. WaveLab_Elements_9_64bit.msi (to default location)

3. WaveLab 9.1.0 plugins eXtender.exe

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Steinberg - WaveLab Elements v9.0.35

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MAXON - CINEMA 4D Studio R18

CINEMA 4D Studio is the very best that MAXON has to offer for professional 3D artists. If you want to create advanced 3D graphics but need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then this is the choice for you. Studio is MAXON's flagship product. Studio includes all Prime, Broadcast and Visualize features - and more!

CINEMA 4D Studio can import and export a variety of file formats, which lets you integrate it in almost any pipeline. The modeling toolset lets you work with parametric or polygonal objects, subsivision surfaces and all types of deformers and modifie

CINEMA 4D offers all standard and advanced options for creating the perfect surface for your models. Materials have 14 different channels and you can even customize channels for specific needs (e.g. game engines). Use images or movies as textures.

Features of CINEMA 4D Studio R18.057

Below are some noticeable features which you’ll experience after CINEMA 4D Studio R18.057 free download.

Non-Destructive Destruction

With the new Voronoi Fracture object you can tear down walls. Systematically shatter any object into procedural fragments using virtually anything to control the distribution of the shattered pieces. Create artistic procedural geometry using splines, polygon objects or particles. Fracture Voronoi is always live which means you can change elements at any time. As a native MoGraph object it works seamlessly with Dynamics and all the effectors and falloffs you love.

It Slices, it Dices

Cinema 4D Release 18 truly is a cut above the rest with its all-new interactive knife tools. The new Line Cut tool lets you draw cuts across one or even multiple objects and tweak them on-the-fly with an interactive preview. You can then lock in new edges, remove parts or split objects based on the cuts you made. With the new Plane Cut tool you can create new edges using the Local, World or Camera axes, or draw a line to define the plane and adjust the position and rotation of the cut numerically or with a viewport manipulator. The Loop/Path Cut tool creates symmetrical loops or paths based on a proportional or absolute distance to the surrounding edges, and preserves curvature when creating new edges. All three new tools are available as separate commands so you can easily access the desired mode via shortcut or Commander.

Object Tracker

Integrate your Cinema 4D creations into real-world footage with Object Tracking, the next step in MAXON’s efforts to make VFX workflows and tools accessible to everyone. Reconstruct the motion of the camera and any number of objects to transform a video file into a 3D world. Add 2D User Tracks for the object’s key features of and assign them to the Object Tracker – then reconstruct the object based on just the tracks or with the help of reference geometry. You can now seamlessly integrate any number of 3D objects into real-world footage with ease.

Shaders & surface effects

New shaders and shading options offer advanced rendering possibilities in Cinema 4D Release 18. With the Thin Film shader you can reproduce the iridescent rainbow effects of bubbles and oil slicks, or simply add fingerprints and oily residue to any surface. Inverse Ambient Occlusion can be used to create masks for worn edges or to imitate subsurface scattering for faster rendering results. The Shadow Catcher shader offers a convenient way to capture shadows and ambient occlusion from 3D objects so they can be easily composited over real-life footage.

It’s all about workflow

Cinema 4D has always offered a fast and intuitive workflow, and Release 18 offers new tools with clearly arranged and easy-to-learn interfaces. Your window to the 3D world has been given a dramatic facelift with viewport enhancements, including Screen Space Ambient Occlusion, Viewport Tessellation for Displacement preview, and a preview mode for multi-layered reflectance.

Year / Date of Issue : 2017

Version : 18.057

Developer : MAXON

Website : MAXON

Software Name: CINEMA 4D Studio R18
Setup Type: Offline Installer / Full Standalone Setup
Compatibility Architecture: 64 Bit (x64)

System requirements : Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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MAXON - CINEMA 4D Studio R18.057

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Avenger - Vengeance Producer Suite v1.2.2

Meet our new alpha and omega of synthesis: Vengeance Producer Suite Avenger is here! The most versatile and best sounding synth you will ever encounter. There is nothing VPS Avenger can’t do, it offers you tons of features and a gigantic growing library from some of the best sound designers on this planet.

Features:

• VST / PC & Intel Mac VST / AU & AAX – runs in all compatible hosts.
• 64-bit and VST3 standard (64-bit is required).
• over 900 factory presets.
• 620 multisamples.
• 218 special samples (attacks, noises).
• 154 resampler waves.
• 168 drumkits, 168 drumsequences.
• 596 wavetables.
• thousands of OSC shapes (waveforms) available.
• 30 fx types (incl. analog chorus, Reverb, Phaser etc. from ArtsAcoustic).
• 47 Filtertypes.
• up to 1000 playing oscs with one note possible.
• resampling / wavetable generator built in.
• freeform OSCs. Draw your own waveforms.
• alias free OSCs, Wavetables, FM and AM modulation.
• powerful and easy drag and drop mod matrix.
• resizable vectorized GUI (4k ready).
• undo feature.
• comfortable preset search system / tag cloud.
• 8 arps, drumsequencer, 8 step sqs, 18 envelope generators.
• 16 individually routable sub outs into your DAW’s mixer.
• macro controllers assigned in each preset, for quick sound changes.
• external MIDI controllers and pedals support.
• free routable fx busses and send effects.
• customizable LFOs, 4 shaper modules (distortion units on OSC level).
• many unisono features: chorder and our own invented “V-Saw” supersaw.
• key- and velocityzones.
• import your own (multi) samples, drums, wavetables or OSC waveforms.
• MIDI learn function (connect your external MIDI gear with Avenger).

NOTE:
For WIN:
1. INSTAL Setup
2. Open VPS Avenger in DAW, and if MISSING LIBRARY:

Use VPS Avenger Factory content R4.avengercontent

For MAC:
1. Add to host: 127.0.0.1 support.vengeance-sound.com
2. Install Avenger 1.2.2.
3. Open the DAW and launch Avenger, a license request will follow, download it from the License folder, close the DAW.
4. Next we follow the path User / User Name / Library / Applications Support / Vengeance / VPS Avenger and set the protection in the properties of the AVGR.license file.
5. Create in the same place (User / User Name / Library / Applications Support / Vengeance / VPS Avenger) a folder with the name “expansions” (without quotes) and copy the contents of the image about the expansions.dmg
It is RECOMMENDED to completely block Internet access for Avenger using special utilities.
In my case, the week has only been working with blocking the address through the host.
Year / Date of Issue : 09.2017

Version : v1.2.2

Developer : Keilwerth Audio

Website : Vengeance Producer Suite

Format : VSTi, VSTi3, AAX

Bit depth : 64bit

Tabletka : not required

System requirements : Windows and MAC

Download

Avenger - Vengeance Producer Suite v1.2.2 WIN

Setup

VPS Avenger Factory content R4 (Content Library)  WIN

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Vengeance Producer Suite v1.2.2 + 15 Library MAC

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Adobe Photoshop CC 2018 v.19

Adobe Photoshop CC 2018 is the most powerful and popular professional photo editing software, 3D modeling, and design and painting that has been around for over 25 years since its first release, and is constantly updated with new features. Photoshop CC (Creative Cloud) has dozens of important differences with previous versions of Photoshop and is also capable of providing features and fixing problems with very high speed for Adobe programmers. The new features include improved 3D drawing, more advanced image editing tools, better image picking tools, photo magnification with the lowest quality drop, a highly practical tool for reducing camera shake and many other new features.

Adobe Photoshop Features:

• Edit and enhance with imaging magic
• Work more efficiently
• Work with state-of-the-art photography tools
• Process images professionally with the Adobe Camera Raw
• Control color and tone
• Intuitively create movies and video content
• Create superior designs and artwork
• Composite images with advanced features
• Take advantage of a streamlined workflow
• Save time with user-inspired improvements
• Extend your reach

Year / Date of Issue : 2017

Version : 19.0

Developer : Adobe

Developer’s website : Adobe

Bit depth : 64bit

System requirements : 

Windows - Mac

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Adobe Photoshop CC 2018 v.19 Win

Adobe Photoshop CC 2018 v.19 Mac

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EZX Metal for Ezdrummer

What happens when you put a massive, all-new drum recording in the hands of three of the most in demand producers in modern metal, let them bring it to their own studio environments and equip them with an unparalleled set of audio shaping tools? You not only get a collection of nine custom drum kits – you get a rampant battery armed for complete audio destruction. A nine-headed behemoth that leaves nothing but rubble behind. Nothing.

The Metal! EZX is based on a new drum recording engineered by Daniel Bergstrand in Norway’s highly unique Tanken Studio. The raw material was then individually remixed by Mark Lewis, Jason Suecof and Daniel Bergstrand himself into nine drum kits tailor-made for metal. Between them, these three producers have worked with some of modern metal’s most influential acts as well as those pioneering today’s multifaceted scene: Meshuggah, In Flames, Trivium, Whitechapel, DevilDriver, The Black Dahlia Murder, God Forbid and Dimmu Borgir, to name a few. The Metal! EZX also comes with a versatile collection of grooves and fills performed by Soilwork and metal drummer extraordinaire Dirk Verbeuren.

FEATURE SPOTLIGHT

• All-new recording featuring DW Collector X-shell and Ludwig Quadra Plus drums
• Recorded by Daniel Bergstrand at Tanken Studio, Oslo, Norway.
• A total of nine (9) custom kits, remixed and layered with additional as well as personal samples by Mark Lewis, Jason Suecof and Daniel Bergstrand
• Included MIDI library performed by Dirk Verbeuren

KITS / INSTRUMENT LIST

Big Crack Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Mark’s private samples

Snare

Ludwig Black Beauty, Tama John Tempesta Signature Series 7×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, Ludwig Quadra Plus 16×18″, 18×20″

Fat Metal Room Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Mark’s private samples

Snare:

WFL 1954 6,5×15″, Tama Bell Brass 6,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Ring Smack Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Sonor 18×22″, Mark’s private samples

Snare:

Ludwig Supraphonic, Jeff Ocheltree Spirit of 2002, Tama Bell Brass 6,5×14″

Toms:

Ludwig 1962 12″, 13″, 14″, 16″ & 18″,

DW Collector X-shell

Huge Kit – Lewis

Kick:

Ludwig Stainless Steel 14×26″, Mark’s private samples

Snare:

Tama John Tempesta Signature Series 7×14″

Ludwig Black Beauty

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Tom Roomathon Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Ludwig Pioneer 4,5×14″, Jason’s private samples

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Death Metal Tom Town Kit – Suecof

Kick:

DW Collector X-shell 18×22″, DW Collectors Series 16×24″

Snare:

Ludwig Pioneer 4,5×14″, Tomas Haake Custom 7×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Mini Grind Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

BeatHeadDrum 7×12″ Padouk, Ludwig Brass Shell 14″, Jason’s private samples

Toms:

Ludwig Quadra Plus 10×14″, 16×18″

Punchy Super Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Ludwig Acrolite 1973 4,5×14″, Ludwig Supraphonic 402 6,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Deep Snare Reverbathon Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Sonor 1975 6,5×14″, Ludwig Black Beauty 1940s

Toms:

DW Collector X-shell 8×10″, 9×12″, 12×14″, 14×16″

Allround Kit – Bergstrand

Kick:

DW Collector X-shell 18×22″, Daniel’s private samples

Snare:

Conn 5,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Vintage Mode Kit – Bergstrand

Kick:

Ludwig 26″, Daniel’s private samples

Snare:

Conn 5,5×14″

Toms:

Ludwig Quadra Plus 10×14″, 16×16″, 16×18″, 18×20″

Thrash Twist Kit – Bergstrand

Kick:

DW 18×22″, Daniel’s private samples

Snare:

Ludwig Supraphonic 1962

Toms:

Ludwig Quadra Plus 10×14″, 16×16″, 16×18″, 18×20″

HATS

Sabian Artisan 15″

Zildjian Z Custom Master Sound 14″

CYMBALS

China:

Sabian HH 18″

Sabian AAXtreme 19″

Crash:

Sabian Artisan 19″

Masterworks Crash Jazzmaster 18″

Sabian Artisan Vault 18″

Masterworks Crashride Jazzmaster 20″

Sabian Artisan 17″

Masterworks Crash Jazzmaster 22″

Masterworks Custom 19″

Masterworks Crash Jazzmaster 20″

Splash:

Sabian HH 10″

Sabian HH 12″

Spock:

Spock Trash hit

Ride:

Sabian HHX Groove 21″

Sabian HH Power bell 22″

A working EZdrummer 2 or a Superior Drummer 3

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EZX Metal for Ezdrummer

EZX Metal Update v1.50

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iZotope - VocalSynth v1.00

iZotope - VocalSynth v1.00 - Ready for a transformative vocal experience? With VocalSynth, iconic vocal sounds from decades past and the wild vocal sounds you’ve only heard in your head are finally within reach.

Manipulate your voice to create electronic vocal textures, robot sounds, computerized harmonies, vocoder and talkbox effects, thick octaves or doubles, and everything in between.

Unique vocal effects have driven hit songs and launched careers. It’s time for your vocals to stand out, too.

Key Features

• Four vocal engines: Get robotic vocals (Vocoder), organic harmonies (Polyvox), glitchy digital speech (Compuvox), and singing synthesized sounds (Talkbox).
• Specialized vocal effects: Add edgy or tasteful distortion, filters, speaker convolution modeling, beat-repeating madness, and wide stereo delays.
• Pitch correction: Correct off-key notes in your vocals with real-time pitch correction with natural-sounding results.
• Streamlined voice generation: Add harmonies, octaves, or unisons in Auto mode, or get the exact harmony voicings you want.
• Presets: Quickly access classic sounds you’ve known and loved, plus distinctive new combinations of all four vocal engines.

Your favorite vocal sound or your next favorite

Gripping vocals can drive a track from great to epic. Quickly find that unique sound you’ve been looking for—or experiment and uncover a wild vocal treatment you never even knew you wanted!

Access to ALL THE SOUNDZ!

Carefully designed presets unlock iconic vocal sounds like hardware vocoders, classic talkbox, vintage computer voice chips, or formant and pitch-shifting effects. Plus, Global Presets combine all four engines and the effects modules, opening the door to the next new sounds.

System Requirements

Latest version: VocalSynth 1.0.0 released May 18, 2016

VocalSynth runs as a plug-in within your digital audio workstation. VocalSynth is not a standalone application.

Operating system requirements

Windows: 7, 8, and 10

Mac: OS X 10.8 – 10.12

System Recommendations:

VocalSynth may require higher CPU resources when running every module at sample rates of 96 kHz or higher. 

Plug-in formats

AAX (64-bit), AAX AudioSuite (64-bit), RTAS (32-bit), DPM AudioSuite (32-bit), VST2, VST3, and Audio Unit.

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iZotope - VocalSynth v1.00 Mac

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iZotope - VocalSynth v1.00 Win
iLok License Manager 64bit for Win
iLok License Manager 32bit for Win

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Line6 - Helix Native v1.0.1

Helix Native – Critically acclaimed guitar and effects processor in a plug-in format.

Helix Native delivers the power and tonal authenticity of award-winning HX Modeling technology in a plug-in. Like the hardware members of the Helix family of guitar processors—Helix Floor, Helix Rack, and Helix LT—the Helix Native plug-in features accurate recreations of vintage and modern amplifiers, speaker cabinets, microphones, and effects, as well as extensive signal-routing capabilities and an intuitive user interface. Not just for guitarists, the Helix Native plug-in is also ideal for producers and engineers, sound designers, film/TV/game composers, electronic musicians, and anyone else seeking to craft new and exciting sounds and special effects. And preset compatibility across the entire Helix family allows Helix hardware users to bring studio-created sounds to the stage by simply transferring their plug-in presets to their Helix Floor, Helix Rack, or Helix LT processors.

DESIGNED TO INSPIRE

The most sought after amps and effects models.

The Helix Native plug-in provides a limitless creative palette for inspiring tone creation, with 60+ amplifiers, 30+ speaker cabinets and a wide range of 100+ effects. The interface provides a fast and intuitive tone editing workflow, so you can instantly access your entire signal chain and quickly tweak your settings. Helix Native also supports 3rd party impulse responses (IRs), offering even greater tonal flexibility.

TAKE YOUR TONES FROM STUDIO TO STAGE

Seamless workflow and broad compatibility.

The Helix Native plug-in features broad compatibility with popular DAWs, offering powerful 64-bit performance on AAX, AU and VST3 platforms. It also tightly integrates with Helix hardware so you can take your presets from studio to the stage—and back again.

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Line6 - Helix Native v1.0.1 Win

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Trap Snare Rolls 140Bpm WAV LOOPS

Creating snare rolls and drops is a time consuming task. It involves many precise cuts, properly pitching each note, and a lot of volume and panning automation. Trap Snare Rolls takes care of that by giving you 80 HQ loops of snare roll patterns that will inject your track with energy and movement, whether you make Trap, EDM, RnB, or Club. Professionally edited, pitched, and mixed!

Details:

• 80 Snare Roll Loops
• Professionally mixed in high quality 44.1 kHz / 24 bit wav format
• Tempo Auto-Sync Technology™ (created at 140bpm, but loops automatically adjust to projects tempo)
• Designed in the styles of trap, new school hip hop, club, edm, and rnb
• Organized into 3 categories (short, medium, and long)
• 100% Royalty Free

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Trap Snare Rolls 140Bpm WAV

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Bang Bang Productions - Rellek

Introducing a new innovative virtual instrument-rumpler “Rellek”. It is a fully functional VST that works in all software DAWs, such as FL Studio, Logic, Cubase, Studio One, Ableton and many others!

This monster looks simple, but visually stimulating and very functional. It contains such sounds as 808s, Bass, Synth, Piano, Choir, Pads, Plucks, Leads and many others.

That’s not all! It’s only begining! You will notice that there is a “Load Expansion” button and we will regularly offer you incredible and affordable extensions. It’s just an animal – there’s nothing to think about!

Product includes:

• 50 pre-programmed Instruments
• 32 & 64 Bit VST Plugin WIN & MAC
• Audio Unit Plugin (AU) for MAC
• Expansion Slot
• FREE BONUS: UFO 808s Expansion

VST Options include:

• Reverb
• LFO Depth
• LFO Rate
• LFO Wave
• LFO Type
• LFO Source
• Modulation Wheel
• Pitch Bend
• Voice Mode
• Velocity
• Resample Quality
• Volume
• Pan
• Glide
• UFO Filter
• Glide
• ADSR

Year / Date of Issue : 09.2017

Developer : Bang Bang Productions

Developer’s site : ModernProducers 

Tabletka : cured

System requirements : 

Windows & Mac - VST Plugin AU

Format : VSTi

Bit depth : 32bit, 64bit
BONUS: FREE expansion ‘UFO 808s

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Bang Bang Productions - Rellek Win Mac

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G-Sonique Ultrabass MX 4/4

Ultrabass MX4/4 is a new bass synthesizer for every 4/4 dance music style bassline (uplifting trance, psytrance, goatrance, progressive, hardstyle,

electrohouse, electro, techno, tech-house, and many others).

Based on Alien303 DNA, a synthesizer that became very popular worldwide for its nice stable bass energy and the possibility to create fast

basslines without any unwanted clicks or artifacts, which is very often a negative feature when you are trying to create basslines with a basic virtual

analog/digital synthesizers.

Comparing to classic analogue and virtual analog/digital synthesizers, the sound of ultrabass’ digital oscillators (based on Alien303 technology) is

extremely precise, linear and sharp like a Swiss knife which makes them ideal for electronic 4/4 musics fast basslines, without any analog artifacts

like arbitrary de-tuning, phase, shape and amplitude effecting it’s stability. But the sound of Ultrabass is fat and massive like real analogue thanks to

it’s analogue filters, bass saturation unit and other features.

While Alien303 was limited in parameters and various sound possibilities, the new Ultrabass unit offers full bassline creative power. You can create

almost every type of electronic bassline, from fat and massive two oscillator hardstyle basses, to light and floating, energetic or percussive basslines.

Many new parameters that many producers wondered about (requested features for Alien30) were added, like a second oscillator (dual mode), phase

of oscillator control, oscillator spread, new oscillator types and waveforms, a second filter that can work in serial or parallel in a multi-mix mode.

An individual envelope for amplitude and another for filter, many new types of analog and hardware DSP filters added for various styles and colors of

basslines. A bass boost/analog saturation unit for heavy, fat and massive basses, and many new features.

If you liked Alien303 then the new ultrabass will be your sweetheart, 3x more options and 3x more power.

• Single / Dual oscillator(s) that can work in two selectable modes. With octave and semitone control as well as fine and an oscillator phase
• micro-control knob.
• 2 oscillators with 15 shapes (Analogue saw, Digital saw, Saw HB, Saw DB, Analogue ramp, Digital ramp, Digital square, Square, Pulse,
• Multipulse 1, Multipulse2, Multisaw1, Multisaw2, Vintage saw)
• Two filter modules that can work in serial or parallel multi-mix mode:
• Filter MODULE1 with 4 analogue sounding liquid low pass filters:

-G-Low pass,

-Low pass (classic),

-Vintage analog low pass,

-303 low pass

-With cutoff, resonance, input volume and envelope amount knobs

• Filter MODULE2 with 9 Analog sounding liquid filters with G-Filters, a series modeled after codes from DSP chips of hardware synthesizers and an analogue low pass with a creamy sound modeled after vintage hardware keyboards/synths:

-G-Low pass,

-G-Band pass,

-G-High pass,

-Low Pass,

-High Pass,

-Band Pass,

-Band Reject,

-Peaking,

-Analogue low pass,

-None,

-With cutoff, resonance and envelope amount knob together with a fast on/off switch.

• Fast linear Amplitude envelopes (attack, decay, sustain, release) without any unwanted CLICKS and ARTIFACTS that are often present
• when you are trying to make fast 4/4 bass with classic synthesizers.
• Fast linear Filter envelopes (attack, decay, sustain) without any unwanted CLICKS and ARTIFACTS that are often present when you are trying
• to make fast 4/4 bass with classic synthesizers.
• Non-Linear Saturation Unit with „main saturation knob“, Analog based amplifier section
• Bass boost / Analog saturation unit to add fat, heavy and massive sound to your bassline. With parameters like freq. and q (bandwidth) to set low
• frequency range that will be boosted, and soft enh., saturation and vol. of saturation parameters to set amount and color of saturation/bass boosting.
• Preset manager with more than 76 professional presets in categories bass, deep, psytrance basses

Download

G-Sonique Ultrabass MX 4/4

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SoundSpot Oracle Reverb

A great sounding reverb is arguably one of the most important factors in achieving a full and atmospheric mix, and with that in mind, the SoundSpot® team set out to create a reverb that can deliver to the demands of modern production. After many months of development we are proud to announce the arrival of the Oracle Algoverb.

The Oracle is a one stop shop for all your creative reverb needs, and can be used on any sound source to great effect. From adding a sense of depth to piano melodies, to making synthesised soundscapes sound huge, the Oracle has it covered.

Key Features

• Intuitive, easy to navigate user interface.
• Designed to work flawlessly with touch controllers such as the Raven by Slate Media.
• Stereo imaging controls for accurate placement in the stereo field.
• Analogue style compressor with visual waveform feedback.
• Bandpass filter to sculpt the sound and remove unwanted frequencies.
• LFO effect to create movement to the amplitude of the signal.
• Flanger effect to keep your reverbs interesting.
• Saturation effect to add warmth or distortion to the signal.
• Preset manager to save & share your own reverb designs

System Requirements:

MAC: OS X 10.7 – 10.12 (32 & 64-bit)

WiN: Windows 7, 8 and 10 (32 & 64-bit)

Formats: VST | VST3 | Audio Units (AU) | AAX

Download

SoundSpot Oracle Reverb Win Mac

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SoundSpot Nebula FX v1.0.0

After the release the Oracle, our creative reverb plugin, we we inundated with requests from customers asking if we could release the flanger as a plugin in it’s own right. We thought this was a great idea, however we felt we could do one better than that, and began the development of the Nebula.

The Nebula is a multi fx plugin that features a stereo delay, chorus, flanger, filter & LFO, that can be used to add some serious sonic madness to your music.

The signal path of the Nebula is one that has been used by our in-house sound designers over the last 3 years, and has featured in a plethora of sample packs.

When the signal path was combined with 5 powerful effects, an intuitive interface and super lightweight code, the Nebula was born.

Features:

• Intuitive, easy to navigate user interface.
• Designed to work flawlessly with touch controllers such as the Raven by Slate Media.
• Stereo delay with visual feedback.
• Quick target LFO to create movement to the signal.
• Bandpass delay filter to sculpt the sound and remove unwanted frequencies.
• Flanger effect to create unique movement to the delay.
• Global bandpass filter that can be modulated.
• Chorus effect effect to create unique movement to the delay.
• Preset manager to save & share your own delay designs.

The 5 FX modules in the Nebula can be used individually or in the pre defined signal path. Simply click the power icons at the top of each module button to activate the effect. The power buttons work independently of the module select buttons, which is useful when you are working with another module, and want to quickly bypass other effects to A/B test.

The Delay module on the Nebula has a host of features that allow you to create depth and space to your sounds. You can remove any unwanted frequencies using the filter button which flips into it’s own dedicated section, work in mono or stereo mode by linking the left and right channels, add dotted or triplet variations to the left or right signal and control the feedback and mix of the effect with ease. The display provides users with visual feedback so you can make accurate decisions when designing your delayed signal.

The Chorus module can be used to add additional width to the sound, by creating a detuned effect. The rate parameter allows users to select the speed of the effect, whilst the depth controls the amount of pitch variation required. Feedback controls the amount of modulated signal that is fed back into itself, and the mix parameter allows you to blend the effect with the original signal. There is also an option to flip between a mono and stereo effect.

The LFO module is where the magic happens, and can be used to bring your sound design to life. The left hand side of the module has target selectors allowing you to control various parameters within the other modules. The LFO itself has 4 different waveshapes including sawtooth, sine, triangle and square. Each of the waveshapes can be independently flipped, to create a polar opposite of the effect. The LFO time can be set from 1/32 to 32bars and can be used to create percussive groove, or an effect that modulates over a longer time. The range parameter specifies how far much of the LFO is applied to the original signal.

The Flanger module can be used to add additional movement to the sound. Using a slow rate will create subtle movement, whilst using a fast rate will create a dramatic effect. Depth controls the detuning of the signal and feedback controls the amount of modulated signal that is fed back into itself. The mix parameter can be used to blend the effect into the mix, or controlled via the LFO to gradually or quickly change over time. The Flanger also includes the same mono stereo controls as the Chorus, which means you can have one effect working in the middle, whilst having the other taking care of the full stereo image.

The Filter cut works on the entire signal, and can be manipulated to great effect by the LFO. The module has mid, side and stereo modes giving great flexibility for manipulating the the end of the signal path. The filter features a low cut high and a high cut that range from 20Hz to 20KHz, plus slope controls that cover 12dB per octave through to 48dB.

System Requirements:

MAC: OS X 10.7 – 10.12 (32 & 64-bit)

WiN: Windows 7, 8 and 10 (32 & 64-bit)

Formats: VST | VST3 | Audio Units (AU) | AAX

Download

SoundSpot Nebula FX v1.0.0 Win Mac

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Audio Assault Bulldozer v1.2

Bulldozer is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin! Bulldozer delivers a range of tones inspired by a legendary high gain amp known for tones that sound like a diesel engine on fire! Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Bulldozer makes it easy to craft the perfect tone quickly!

Layout

Bulldozer uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control.

Amp Section

• The heart and soul of Bulldozer is a two channel high gain monster!
• Bulldozer defaults to Channel B, which features parameters for Drive, Bass, Mid, Treble, Presence, and Power.
• The Power control pushed the power amp section for extra realism.
• The “Max” switch between the channels activates a midrange boost on Channel B.
• Channel A is engaged using the “CH.B” switch located between the channels. When the “CH.B” is dark, Channel A is active. When “CH.B” is lit up, Channel B is active.
• Channel A features parameters for Drive, Bass, Mid, and Treble.
• Channel A’s Gain control can be set for clean and light overdrive tones.
• Included “ON” switch allows you to bypass the Bulldozer amp head, allowing you to just use the Stomp or Cab sections if desired.
• Each parameter in the Amp section can be automated, allowing for customization and flexibility!

Stomp Section

• The Stomp section features 5 pedal slots, allowing you to choose between any combination of Bulldozer’s 10 included guitar pedals.
• Optional FX Loop allows you to place any pedal in the effects loop of Bulldozer’s amp head, allowing the pedal to process the output signal of Bulldozer instead of the input signal.
• Each pedal in the Stomp section can be automated, allowing for customization and flexibility!

Included Pedals

• Boost: Treble Booster, controllable with one single knob!
• Screamer: Based on a legendary green overdrive pedal, Screamer can be used as a clean treble boost or to add overdrive!
• Compressor: A 4 parameter compressor designed to add sustain and attack to the incoming signal, or to manage the dynamics of the output when placed in the FX Loop.
• Distortion: A two parameter distortion unit that takes you from mild overdrive to nasty fuzzy metal tones!
• Chorus: A modulation monster that takes you anywhere from Classic Rock to Nu Metal and everywhere in between! The included mix knob allows you to fine tune just the right amount of the effect!
• Tremolo: Not just for surf rock anymore, this Tremolo pedal will add movement and contrast to your tone!
• Doubler: Not just a slight delay, this doubler splits the signal in two and changes the shape of one of them to create a convincing double tracked effect!
• Delay: A flexible delay unit that is capable of adding depth and space to your tone!
• Reverb: A sinfully simple, yet flexible reverb unit that is great for emulating small spaces or infinite drones!
• Auto-Wah: A Wah pedal with character! Using the Sensitivity control to switch between Auto and Manual modes, and the resonance control to choose how strong the Wah effect will be! Rocking the pedal back and forth will change the pivot point in Auto mode, and will allow you to manually perform the Wah pedal using your mouse or a midi controller!

Cab Section:

The Cab section utilizes our virtual cab technology to deliver the feel and microdynamic movements of a real speaker in a real room! The virtual cabinet section features a virtual microphone that you can move to find the sweet spot and perfect your tone, and allows you to choose from 4 microphone and cabinet models! The included HP and LP filters help shape the output to fit perfectly in your mix. Use the Distance control to adjust the proximity of the microphone to the cabinet. The Cabinet menu also allows you to access Bulldozer’s built in IR loader, allowing you to use your own IR collection within Bulldozer!

Included Microphones:

• Dynamic 57: Based on that famous workhorse microphone! You know the one!
• Condensor T1: Based on a legendary Large Diaphragm condenser, this mic delivers a present midrange bite!
• Ribbon 121: Based on a classic dynamic ribbon mic, this mic is well known for keeping harsh upper mids at bay!
• Dynamic 421: Based on another studio workhorse, the 421 delivers a midrange bite without being too harsh in the upper mids!

Included Cabs:

• British 4×12: Based on a legend that helped define rock and metal!
• American 2×12: Based on a series of legendary combo amps from a name that started Rock & Roll.
• Japanese 2×12: Based on a popular Japanese line of cabinets that deliver a big bottom end!
• German 4×12: Based on a legendary German cab beloved in Rock & Metal for it’s midrange presence!

IR Cabinet:

• Selecting “IR Cabinet” will change the Mic selector to an IR selector, allowing you to choose between 14 included custom cabinet IR’s.
• “IR Cabinet” bypasses the virtual cabinet.
• The folder icon to the right allows you access to the folder where the included IR’s are located, allowing you to add your own IR collection to the directory folder for use in Bulldozer.

Bulldozer is available in VST,VST3,AU,AAX & RTAS plug-in formats for both Mac & Windows.

Download

Audio Assault Bulldozer v1.2 Win Mac

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Audio Assault Dominator v1.2

Dominator is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin! Dominator delivers a range of tones inspired by a legendary high gain amp that is praised by guitarists of many genres! Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Dominator makes it easy to craft the perfect tone quickly!

Layout

Dominator uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control.

Amp Section

• The heart and soul of Dominator is a two channel high gain monster!
• Dominator defaults to Channel B, which features parameters for Gain, Bass, Mid, Treble, and Presence.
• Channel A is engaged using the “CH.B” button on the left. When the “CH.B” is dark, Channel A is active. When “CH.B” is lit up, Channel B is active.
• Channel A features parameters for Gain, Bass, Mid, and Treble.
• Channel A’s Gain control can be used to switch between clean and distorted tones.
• Turning Channel A’s Gain below a value of 2 engages the Clean circuit.
• Turning Channel A’s Gain above a value of 2 engages the Distortion circuit.
• Included “ON” switch allows you to bypass the Dominator amp head, allowing you to just use the Stomp or Cab sections if desired.
• Each parameter in the Amp section can be automated, allowing for customization and flexibility!

Stomp Section

• The Stomp section features 5 pedal slots, allowing you to choose between any combination of Dominator’s 10 included guitar pedals.
• Optional FX Loop allows you to place any pedal in the effects loop of Dominator’s amp head, allowing the pedal to process the output signal of Dominator instead of the input signal.
• Each pedal in the Stomp section can be automated, allowing for customization and flexibility!

Included Pedals

• Boost: Adds a treble boost to the signal, controllable with one single knob!
• Screamer: Based on a legendary green overdrive pedal, Screamer can be used as a clean treble boost or to add overdrive!
• Compressor: A 4 parameter compressor designed to add sustain and attack to the incoming signal, or to manage the dynamics of the output when placed in the FX Loop.
• Distortion: A two parameter distortion unit that takes you from mild overdrive to nasty fuzzy metal tones!
• Chorus: A modulation monster that takes you anywhere from Classic Rock to Nu Metal and everywhere in between! The included mix knob allows you to fine tune just the right amount of the effect!
• Tremolo: Not just for surf rock anymore, this Tremolo pedal will add movement and contrast to your tone!
• Doubler: Not just a slight delay, this doubler splits the signal in two and changes the shape of one of them to create a convincing double tracked effect!
• Delay: A flexible delay unit that is capable of adding depth and space to your tone!
• Reverb: A sinfully simple, yet flexible reverb unit that is great for emulating small spaces or infinite drones!
• Auto-Wah: A Wah pedal with character! Using the Sensitivity control to switch between Auto and Manual modes, and the resonance control to choose how strong the Wah effect will be! Rocking the pedal back and forth will change the pivot point in Auto mode, and will allow you to manually perform the Wah pedal using your mouse or a midi controller!

Cab Section:

The Cab section utilizes our virtual cab technology to deliver the feel and microdynamic movements of a real speaker in a real room! The virtual cabinet section features a virtual microphone that you can move to find the sweet spot and perfect your tone, and allows you to choose from 4 microphone and cabinet models! The included HP and LP filters help shape the output to fit perfectly in your mix. Use the Distance control to adjust the proximity of the microphone to the cabinet. The Cabinet menu also allows you to access Dominator’s built in IR loader, allowing you to use your own IR collection within Dominator!

Included Microphones:

• Dynamic 57: Based on that famous workhorse microphone! You know the one!
• Condensor T1: Based on a legendary Large Diaphragm condenser, this mic delivers a present midrange bite!
• Ribbon 121: Based on a classic dynamic ribbon mic, this mic is well known for keeping harsh upper mids at bay!
• Dynamic 421: Based on another studio workhorse, the 421 delivers a midrange bite without being too harsh in the upper mids!

Included Cabs:

• British 4×12: Based on a legend that helped define rock and metal!
• American 2×12: Based on a series of legendary combo amps from a name that started Rock & Roll.
• Japanese 2×12: Based on a popular Japanese line of cabinets that deliver a big bottom end!
• German 4×12: Based on a legendary German cab beloved in Rock & Metal for it’s midrange presence!

IR Cabinet:

• Selecting “IR Cabinet” will change the Mic selector to an IR selector, allowing you to choose between 14 included custom cabinet IR’s.
• “IR Cabinet” bypasses the virtual cabinet.
• The folder icon to the right allows you access to the folder where the included IR’s are located, allowing you to add your own IR collection to the directory folder for use in Dominator.

Dominator is available in VST,VST3,AU,AAX & RTAS plug-in formats for both Mac & Windows.

Download

Audio Assault Dominator v1.2 Win Mac

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Lucid Samples Kits EDM Drops Vol.2 WAV

Lucid Samples invites a new construction kit addition to the EDM collection. ‘EDM Drops Volume 2’ takes a new direction with the Dance genre. Inspired by Artists such as Afrojack and DVBBS combined with Diplo and Marti Garixx, the kits provide high energy builds, tuned kicks, captivating melodies and hazardous drops.

This Volume includes an exclusive set of custom bonus sounds which contains 25 perfectly mixed FX. ‘EDM Drops Volume 2’ is not to be missed and is the perfect accomplice to every Dance Producers collection.

Specifications:

• 5 Construction Kits
• Over 500 MB of Content
• 87 SSL Processed WAV Files
• 42 REX2 Loops Included
• 25 Bonus FX Included
• 20 One Shot Samples Included
• Fully Tracked Out SSL Stems (Melodic, Drums, FX)
• 24-Bit Wav Format

Download

Lucid Samples EDM Drops Vol.2 WAV

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T-RackS 5 Complete v5.0.0 - IK Multimedia

World-class mixing and mastering plug-ins on demand. Close your eyes and picture a store full of cool, powerful processing gear including compressors, limiters, reverbs, de-essers, multiband processors, and a shelf full of vintage, legendary gear emulations. In short, a dream store for recording musicians, engineers and producers.

What’s new

• 4 new processors available for separate purchase: Master Match, Dyna-Mu, ONE, EQual
• Resizable*, redesigned interface and plugin GUIs
• Expandable broadcast-ready metering suite*
• Floating meters option*
• Chains of up to 16 processors
• Album Assembly section with waveform editing and metadata*
• Enhanced audio engine
• Up to 192 kHz/32-bit floating point*
• 4 dithering algorithms
• Equal gain option*
• Signature presets from the industry’s top engineers*

Features

• Free version of T-RackS including the Custom Shop, the Classic EQ and basic Metering functionality
• Standalone workstation, plugin suite and single plugins for Audio Units, VST2, VST3 and AAX formats
• Custom Shop functionality lets you purchase additional modules from inside the program
• T-RackS shell allows for chaining of up to 16 processors
• Standalone integration with ARC System 2.5 processing
• All processors available as individual plug-ins
• 64-bit native support
• High-fidelity oversampling for high-quality audio processing through the entire signal path
• SCC technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
• Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function and more.

Features available by upgrading to T-RackS 5, T-RackS 5 Deluxe or T-RackS 5 MAX. T-RackS 5 CS supports projects up to 48kHz and features basic metering functions. Presets require specific modules which might not be part of this version of T-RackS 5. You can however download any processor for FREE and test them for 14 days before purchase.

Download

T-RackS 5 Complete v5.0.0 Mac

T-RackS 5 Complete v5.0.1 Win

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EZX Metal Update and Midi Pack v1.5.1 for Ezdrummer2

AS METAL AS IT GETS.

This is what happens when you put a massive, all-new drum recording in the hands of three of modern metal’s most in demand producers.

What happens when you put a massive, all-new drum recording in the hands of three of the most in demand producers in modern metal, let them bring it to their own studio environments and equip them with an unparalleled set of audio shaping tools? You not only get a collection of nine custom drum kits – you get a rampant battery armed for complete audio destruction. A nine-headed behemoth that leaves nothing but rubble behind. Nothing.

The Metal! EZX is based on a new drum recording engineered by Daniel Bergstrand in Norway’s highly unique Tanken Studio. The raw material was then individually remixed by Mark Lewis, Jason Suecof and Daniel Bergstrand himself into nine drum kits tailor-made for metal. Between them, these three producers have worked with some of modern metal’s most influential acts as well as those pioneering today’s multifaceted scene: Meshuggah, In Flames, Trivium, Whitechapel, DevilDriver, The Black Dahlia Murder, God Forbid and Dimmu Borgir, to name a few. The Metal! EZX also comes with a versatile collection of grooves and fills performed by Soilwork and metal drummer extraordinaire Dirk Verbeuren.

FEATURE SPOTLIGHT

• All-new recording featuring DW Collector X-shell and Ludwig Quadra Plus drums
• Recorded by Daniel Bergstrand at Tanken Studio, Oslo, Norway.
• A total of nine (9) custom kits, remixed and layered with additional as well as personal samples by Mark Lewis, Jason Suecof and Daniel Bergstrand
• Included MIDI library performed by Dirk Verbeuren

KITS / INSTRUMENT LIST

Big Crack Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Mark’s private samples

Snare

Ludwig Black Beauty, Tama John Tempesta Signature Series 7×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, Ludwig Quadra Plus 16×18″, 18×20″

Fat Metal Room Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Mark’s private samples

Snare:

WFL 1954 6,5×15″, Tama Bell Brass 6,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Ring Smack Kit – Lewis

Kick:

DW Collector X-shell 18×22″, Sonor 18×22″, Mark’s private samples

Snare:

Ludwig Supraphonic, Jeff Ocheltree Spirit of 2002, Tama Bell Brass 6,5×14″

Toms:

Ludwig 1962 12″, 13″, 14″, 16″ & 18″,

DW Collector X-shell

Huge Kit – Lewis

Kick:

Ludwig Stainless Steel 14×26″, Mark’s private samples

Snare:

Tama John Tempesta Signature Series 7×14″

Ludwig Black Beauty

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Tom Roomathon Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Ludwig Pioneer 4,5×14″, Jason’s private samples

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Death Metal Tom Town Kit – Suecof

Kick:

DW Collector X-shell 18×22″, DW Collectors Series 16×24″

Snare:

Ludwig Pioneer 4,5×14″, Tomas Haake Custom 7×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Mini Grind Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

BeatHeadDrum 7×12″ Padouk, Ludwig Brass Shell 14″, Jason’s private samples

Toms:

Ludwig Quadra Plus 10×14″, 16×18″

Punchy Super Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Ludwig Acrolite 1973 4,5×14″, Ludwig Supraphonic 402 6,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Deep Snare Reverbathon Kit – Suecof

Kick:

DW Collector X-shell 18×22″

Snare:

Sonor 1975 6,5×14″, Ludwig Black Beauty 1940s

Toms:

DW Collector X-shell 8×10″, 9×12″, 12×14″, 14×16″

Allround Kit – Bergstrand

Kick:

DW Collector X-shell 18×22″, Daniel’s private samples

Snare:

Conn 5,5×14″

Toms:

DW Collector X-shell 8×8″, 8×10″, 9×12″, 12×14″, 14×16″

Vintage Mode Kit – Bergstrand

Kick:

Ludwig 26″, Daniel’s private samples

Snare:

Conn 5,5×14″

Toms:

Ludwig Quadra Plus 10×14″, 16×16″, 16×18″, 18×20″

Thrash Twist Kit – Bergstrand

Kick:

DW 18×22″, Daniel’s private samples

Snare:

Ludwig Supraphonic 1962

Toms:

Ludwig Quadra Plus 10×14″, 16×16″, 16×18″, 18×20″

HATS

Sabian Artisan 15″

Zildjian Z Custom Master Sound 14″

CYMBALS

China:

Sabian HH 18″

Sabian AAXtreme 19″

Crash:

Sabian Artisan 19″

Masterworks Crash Jazzmaster 18″

Sabian Artisan Vault 18″

Masterworks Crashride Jazzmaster 20″

Sabian Artisan 17″

Masterworks Crash Jazzmaster 22″

Masterworks Custom 19″

Masterworks Crash Jazzmaster 20″

Splash:

Sabian HH 10″

Sabian HH 12″

Spock:

Spock Trash hit

Ride:

Sabian HHX Groove 21″

Sabian HH Power bell 22″

SYSTEM REQUIREMENTS
2 GB of free hard disk space, 1 GB RAM.A working EZdrummer 2 or a Superior Drummer 3

Download

Via Torrent

EZX Metal Update v1.5.4

Midi Pack v1.5.1

If ask passw: idmee

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EZX2 Big Rock Drums for Ezdrummer2

Fueled by acts like Led Zeppelin, Deep Purple and Black Sabbath, a new breed of rock burst onto the scene in the late sixties. With a big, thunderous sound, often with the drums as the barreling force in the front of the mix, the classic acts of this era didn’t only strike a chord that would resonate to this day - they shook the ground and started a landslide of heavy music to come.It’s from this legacy that the Big Rock Drums EZX picks up. Helmed by Rival Sons’ drummer Michael Miley and Grammy Award-winning engineer Dave Cobb (Rival Sons, Europe, Zac Brown Band), it sets out to capture the raw essence of classic rock drums as we know them. Recorded at Cobb’s own Low Country Sound Studio in Nashville, it presents five essentially different kits that still share one common denominator - they’re the massive, reverberant and roaring type, tailored for big rock songs.

As much as this is an homage to times that passed, it’s at the same time a reminder of the fact that great tones never die – they echo through the ages. Quite simply: vintage never gets old.

FEATURE SPOTLIGHT

• Five (5) kits (Mayer Bros., C&C, Gretsch, Ludwig & Camco)
• Inspired by the sound of the iconic rock bands of the ‘70s
• Engineered by Grammy Award-winning Dave Cobb (Rival Sons, Europe, Zac Brown Band)
• Recorded at Cobb’s own Low Country Sound Studio in Nashville, TN
• Drums sampled by Michael Miley (Rival Sons)

A working EZdrummer 2 or a Superior Drummer 3

Download

EZX2 Big Rock Drums v1.0.1 

Part1 Part2 Part3

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